A smiling villain, a stolen crown, a kingdom for a horse … retold in modern English verse.

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Richard III by William Shakespeare, retold by James Anthony — book cover
Original
And leave the world for me to bustle in!
Shakespeare Retold
And I’ll take over as I rule the world!
Richard III, Act 1 Scene 1
Original
I’ll have her, but I will not keep her long.
Shakespeare Retold
I’ll win her over but won’t keep her long.
Richard III, Act 1 Scene 2
Original
And seem a saint, when most I play the devil.
Shakespeare Retold
It makes me look a saint, but I’m the devil.
Richard III, Act 1 Scene 3

The complete Richard III study guide – every line translated; every rhythm kept; every scene, character and theme explored – free for students, teachers, actors, and theatregoers.

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Frequently asked questions about Richard III

What is Richard III about?

Richard III follows Richard, Duke of Gloucester – deformed, brilliant and openly determined to prove a villain – as he murders his way to the English throne. He has his brother Clarence drowned, woos Lady Anne over the coffin of the king he killed, engineers the deaths of the Queen's kinsmen and of Hastings, has himself begged to accept the crown, and orders the murder of his two young nephews, the Princes in the Tower. Then the curses laid on him in Act 1 come home: his allies desert him, the ghosts of his victims visit him on the night before Bosworth, and Henry, Earl of Richmond, kills him in battle and unites the houses of York and Lancaster as Henry VII.

When was Richard III written?

Richard III was written around 1592–93, at the end of the sequence that began with the three parts of Henry VI; it is among Shakespeare's earliest plays and, after Hamlet, his longest. The theatres were closed by plague for much of 1592–94, which may explain its delayed printing: the first Quarto appeared in 1597, five more followed before 1623, and the First Folio printed a longer text that most modern editions combine with the Quarto. Its popularity in print and on stage was immediate, and Richard Burbage, the company's leading actor, was famous in the part.

Is Richard III a history play or a tragedy?

Both, and the early editions could not decide either: the Quarto called it a tragedy, the First Folio filed it among the histories, and both title it The Tragedy of Richard the Third. It is a history in that it dramatises real events – the last phase of the Wars of the Roses, from Edward IV's reign to the Battle of Bosworth in 1485 – and completes the story begun in the Henry VI plays. It is a tragedy in shape: one man's rise, a moment of self-knowledge on the eve of battle, and a fall. Most students meet it as a history play with a tragic hero-villain at its centre.

Did Richard III really kill the Princes in the Tower?

Nobody knows. Edward V and his brother Richard, Duke of York, were lodged in the Tower in 1483 and were never seen again after that summer; Richard III had the strongest motive and the opportunity, and most historians think he was responsible, but there was no trial, no confession and no body that can be securely identified. Shakespeare's version comes from Sir Thomas More's History of King Richard the Third, written a generation later under the Tudors, which names Sir James Tyrrel as the organiser and two hired men as the killers – exactly the account the play stages in Act 4. The 2012 discovery of Richard's skeleton under a Leicester car park settled how he died and what his spine looked like, but not what happened to the princes.

What level is Richard III studied at?

Richard III is studied at GCSE and A-Level in the UK, AP English Literature in the US, the IB Diploma, and on undergraduate Shakespeare courses worldwide. Its opening soliloquy, the wooing of Lady Anne and the ghost scene before Bosworth are also standard audition and drama-school pieces. This study guide is written to support all of these levels, with modern English translation, scene-by-scene analysis, character profiles, theme guides, and key quotes.

What are the most famous lines in Richard III?

Richard III opens with one of the most quoted lines in English, "Now is the winter of our discontent", and ends with another, "A horse, a horse! My kingdom for a horse!" In between come "I am determined to prove a villain", "Was ever woman in this humour wooed?", "Off with his head", "I am not in the giving vein today" and, on the night before Bosworth, "O coward conscience, how dost thou afflict me!" Each is analysed in depth on the key quotes page.