A Midsummer Night's Dream Act 1, Scene 2: Retold in Modern English Verse
Bottom wants every part
Peter Quince the carpenter gathers five fellow tradesmen to perform the lamentable comedy of Pyramus and Thisbe at the duke’s wedding. Bottom the weaver is cast as Pyramus and asks to play Thisbe and the lion as well, promising to roar as gently as any sucking dove. Flute objects to playing a woman because he has a beard coming. They agree to rehearse by moonlight in the wood outside the town.
Characters appearing: Quince | Snug | Bottom | Flute | Snout | Starveling
Key themes: Art and Theatre | Order vs Chaos
ATHENS. QUINCE'S HOUSE.
[ENTER QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, AND STARVELING]
QUINCE
Is all our company here?
Are all our actors here?
BOTTOM
You were best to call them generally,
You’d better shout them out generally – I mean individually –
man by man, according to the scrip.
one-by-one, according to the script.
QUINCE
Here is the scroll of every man's name, which is
Here is the list of every actor’s name, which is
thought fit, through all Athens, to play in our
considered appropriate in Athens to perform in
interlude before the duke and the duchess, on his
front of the duke and duchess on their
wedding-day at night.
wedding day evening.
BOTTOM
First, good Peter Quince, say what the play treats
First, dear Peter Quince, tell us what the play is
on, then read the names of the actors, and so grow
about, then read out the actors’ names, and quickly get it
to a point.
over and done with.
QUINCE
Marry, our play is, The most lamentable comedy, and
Well, our play is called, ‘The tragic comedy and
most cruel death of Pyramus and Thisbe.
cruel death of Pyramus and Thisbe’.
BOTTOM
A very good piece of work, I assure you, and a
An excellent play, I assure you, and very
merry. Now, good Peter Quince, call forth your
funny. Now, dear Peter Quince, read out the
actors by the scroll. Masters, spread yourselves.
actors from the list. Gentlemen, gather round.
QUINCE
Answer as I call you. Nick Bottom, the weaver.
Answer when I call your name. Nick Bottom, the weaver.
BOTTOM
Ready. Name what part I am for, and proceed.
Ready. Tell me my part and get on with it.
QUINCE
You, Nick Bottom, are set down for Pyramus.
You, Nick Bottom, will play the role of Pyramus.
BOTTOM
What is Pyramus? A lover, or a tyrant?
Who is Pyramus? A lover or a tyrant?
QUINCE
A lover, that kills himself most gallant for love.
A lover who bravely kills himself for love.
BOTTOM
That will ask some tears in the true performing of
That will demand some real tears from me if I’m to perform it
it: if I do it, let the audience look to their
well: if I do that, the audience will need to check their own
eyes; I will move storms, I will condole in some
eyes, for they will be sobbing so much as I express such
measure. To the rest: yet my chief humour is for a
heartache. But on with the other roles… although my preference
tyrant: I could play Ercles rarely, or a part to
is to play a tyrant: I could play Hercules, or any role that
tear a cat in, to make all split.
requires ranting to make a stir, such as…
The raging rocks
‘The raging rocks
And shivering shocks
And shivering shocks
Shall break the locks
Shall break the locks
Of prison gates;
Of prison gates;
And Phibbus' car
And Phoebus’ car
Shall shine from far
Shall shine from far
And make and mar
And make and mar
The foolish Fates.
The foolish Fates.’
This was lofty! Now name the rest of the players.
That was majestic! Now, read out the rest of the actors.
This is Ercles' vein, a tyrant's vein; a lover is
That was in the style of Hercules, a tyrant’s style; a lover would
more condoling.
be more sympathetic.
QUINCE
Francis Flute, the bellows-mender.
Francis Flute, the man who repairs bellows.
FLUTE
Here, Peter Quince.
Here, Peter Quince.
QUINCE
Flute, you must take Thisbe on you.
Flute, you’re taking on the role of Thisbe.
FLUTE
What is Thisbe? A wandering knight?
Who is Thisbe? A wandering knight?
QUINCE
It is the lady that Pyramus must love.
It is the lady that Pyramus will love.
FLUTE
Nay, faith, let me not play a woman; I have a beard coming.
Oh no, don’t have me playing a woman; I’m growing a beard.
QUINCE
That's all one: you shall play it in a mask, and
That doesn’t matter: you’ll be wearing a mask, and
you may speak as small as you will.
you can speak as high-pitched as you can.
BOTTOM
An I may hide my face, let me play Thisbe too, I'll
If I can hide my face, let me play Thisbe too. I’ll
speak in a monstrous little voice. 'Thisne,
speak fantastically high-pitched. ‘Thisbe,
Thisne;' 'Ah, Pyramus, lover dear! Thy Thisbe dear,
Thisbe;’ ‘Yes, Pyramus, my dear lover! I’m your Thisbe dear,
and lady dear!'
and your dear lady!’
QUINCE
No, no; you must play Pyramus: and, Flute, you Thisbe.
No, no; you must play Pyramus. And, Flute, you’re Thisbe.
BOTTOM
Well, proceed.
Well, get on with it then.
QUINCE
Robin Starveling, the tailor.
Robin Starveling, the tailor.
STARVELING
Here, Peter Quince.
Here, Peter Quince.
QUINCE
Robin Starveling, you must play Thisbe's mother.
Robin Starveling, you will play Thisbe’s mother.
Tom Snout, the tinker.
Tom Snout, the tinker.
SNOUT
Here, Peter Quince.
Here, Peter Quince.
QUINCE
You, Pyramus' father: myself, Thisbe's father:
You’ll play Pyramus’s father. Me, I’ll play Thisbe’s father.
Snug, the joiner; you, the lion's part: and, I
Snug, the joiner: you’ll play the lion. And, I
hope, here is a play fitted.
hope, that makes the play well cast.
SNUG
Have you the lion's part written? Pray you, if it
Have you got the lion’s part written down? Please, if you
be, give it me, for I am slow of study.
have, give it to me for I’m a slow learner.
QUINCE
You may do it extempore, for it is nothing but roaring.
You can improvise, for all you have to do is roar.
BOTTOM
Let me play the lion too: I will roar, that I will
Let me play the lion too: I will roar so well that
do any man's heart good to hear me; I will roar,
it’ll help anyone who hears me; I will roar so well
that I will make the duke say 'Let him roar again,
that I’ll make the duke say, ‘Let him roar again,
let him roar again.'
let him roar again.’
QUINCE
An you should do it too terribly, you would fright
But if you make it too terrifying, you will frighten
the duchess and the ladies, that they would shriek;
the duchess and the ladies, and make them scream;
and that were enough to hang us all.
and that’ll be enough to get us all hanged.
ALL
That would hang us, every mother's son.
They’d hang the lot of us.
BOTTOM
I grant you, friends, if that you should fright the
I assure you, friends, that if you would frighten the
ladies out of their wits, they would have no more
ladies out of their wits, they would have no choice
discretion but to hang us: but I will aggravate my
but to hang us. But I will aggravate – I mean, moderate – my
voice so that I will roar you as gently as any
voice so that I will roar as gently as a
sucking dove; I will roar you an 'twere any
baby dove; I’ll roar at you as if I were
nightingale.
a nightingale.
QUINCE
You can play no part but Pyramus; for Pyramus is a
You will only play the part of Pyramus, for Pyramus is a
sweet-faced man; a proper man, as one shall see in a
handsome man; as decent a man as you might see out on a
summer's day; a most lovely gentleman-like man:
summer’s day; a lovely gentlemanly man.
therefore you must needs play Pyramus.
Therefore you have to play Pyramus.
BOTTOM
Well, I will undertake it. What beard were I best
Well, I’ll do it then. What beard is best for me
to play it in?
to act in?
QUINCE
Why, what you will.
Well, whatever you like.
BOTTOM
I will discharge it in either your straw-colour
I will perform it in either your straw-coloured
beard, your orange-tawny beard, your purple-in-grain
beard, your orange-tawny beard, your dyed purple
beard, or your French-crown-colour beard, your
beard, or your French-coin-coloured beard, which is
perfect yellow.
a perfect yellow.
QUINCE
Some of your French crowns have no hair at all, and
Some French heads are bald due to syphilis making their hair
then you will play bare-faced. But, masters, here
fall out, so you should act without a beard. But, sirs, these
are your parts: and I am to entreat you, request
are your roles. And I urge you, ask
you and desire you, to con them by to-morrow night;
you and hope you will learn them by tomorrow night,
and meet me in the palace wood, a mile without the
and meet me in the palace wood, a mile out of
town, by moonlight; there will we rehearse, for if
town, in the moonlight. We will rehearse there, for if
we meet in the city, we shall be dogged with
we meet in the city, we will be pestered by
company, and our devices known. In the meantime I
people, and our tale will be revealed. In the meantime, I
will draw a bill of properties, such as our play
will create a list of props that our play
wants. I pray you, fail me not.
requires. Please, don’t let me down.
BOTTOM
We will meet; and there we may rehearse most obscenely
We’ll meet you there, and we can rehearse obscene – I mean,
and courageously. Take pains; be perfect: adieu.
unseen – and with confidence. Learn your lines well. Goodbye.
QUINCE
At the duke's oak we meet.
We’ll meet at the duke’s oak tree.
BOTTOM
Enough; hold or cut bow-strings.
OK: be there or be square.
[EXEUNT]